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Günseli
Yalcinkaya
Günseli Yalcinkaya is an editor, writer and researcher based in London. Her ongoing practice of internet folklore explores online culture, advanced technologies, and the myths embedded within those systems. She is a Contributing Editor at Dazed Media and the former host of Dazed’s official podcast Logged On, shining a youth culture lens on internet culture. As a creative consultant, she translates culturally resonant content into commercial strategy, working on cultural insights for forward-thinking brands.
As an expert voice, she has appeared in talks, presentations and panels at the Architectural Association, LAS Art Foundation, Sónar+D, Somerset House, The Serpentine, Ibraaz, The Photographer’s Gallery, Unsound Festival, and X Museum. Her research on quantum culture was presented as part of LAS Art Foundation’s S+T+ARTS Prize-winning Sensing Quantum programme (2025).
In 2023, Günseli curated Cybernetic Serendipities: Towards AI at ICA in London. She is associate curator of the forthcoming major exhibition at Somerset House, titled Abracadabra!, opening to the public in 2027.
She was previously Features Editor at Dazed Magazine (2021-2024) and External Research Associate at Moth Quantum (2024-2025). She is an Associate Lecturer at London College of Fashion.
As an artist, she has worked on a number of high-profile commissions for CIVA Festival (Vienna) and Foam Gallery (Amsterdam). She is a member of the 2024-2025 cohort of artists commissioned by TIMES, alongside Andrea Belosi, James K and Heith.
Cultural Codes, introductory essay
Ars Electronica
2026
Candela Capitan
Cura
2025
The Internet Enters Its Age of Aquarius
Spike Magazine
2025
Digital Dada or Futurist slop?
Plaster Magazine
2025
Hito Steyerl: “Who Prompted All This Shit?”
Spike Magazine
2025
Techno-feudalism
032C
2025
How Art Went Quantum
Art Review
2025
Is basic fashion the trend set to define 2025?
Dazed Magazine
2025
The freaky rise of AI horrorcore
Dazed Magazine
2024
Where Does The Puppet End and The Human Begin?
032C
2024
(un)real data ☁️ – (🧊)real effects
Aksioma (via Metalabel)
2024
Digital Diaries
Julia Stoschek
2024
Cryptid essay in response to Joey Holder artwork
LAS Art Foundation
2024
Why does nothing feel real anymore?
Dazed Magazine
2024
Reality shifting: why zoomers are choosing to tap out of material reality
Dazed Magazine
2024
How cute became the defining aesthetic of the internet age
Dazed Magazine
2024
Through the Shadowland
Zora Zine
2023
Blessed and emoji-pilled: why language online is so absurd
Dazed Magazine
2023
Rage against the machine: how incel culture went mainstream
Dazed Magazine
2023
How aliens are fuelling a new era of disinformation
Dazed Magazine
2023
We’re entering an age of ‘psyop realism’
Dazed Magazine
2023
How E-girl influencers are trying to get Gen Z into the military
Dazed Magazine
2023
Are you content? How the internet rewired our brains
Dazed Magazine
2022
When Medieval Mysticism Conquers the Dance Floor
Resident Advisor
2022
Cultural Codes, introductory essay
Ars Electronica
2026
Candela Capitan
Cura
2025
The Internet Enters Its Age of Aquarius
Spike Magazine
2025
Digital Dada or Futurist slop?
Plaster Magazine
2025
Hito Steyerl: “Who Prompted All This Shit?”
Spike Magazine
2025
Techno-feudalism
032C
2025
How Art Went Quantum
Art Review
2025
Is basic fashion the trend set to define 2025?
Dazed Magazine
2025
The freaky rise of AI horrorcore
Dazed Magazine
2024
Where Does The Puppet End and The Human Begin?
032C
2024
(un)real data ☁️ – (🧊)real effects
Aksioma (via Metalabel)
2024
Digital Diaries
Julia Stoschek
2024
Cryptid essay in response to Joey Holder artwork
LAS Art Foundation
2024
Why does nothing feel real anymore?
Dazed Magazine
2024
Reality shifting: why zoomers are choosing to tap out of material reality
Dazed Magazine
2024
How cute became the defining aesthetic of the internet age
Dazed Magazine
2024
Through the Shadowland
Zora Zine
2023
Blessed and emoji-pilled: why language online is so absurd
Dazed Magazine
2023
Rage against the machine: how incel culture went mainstream
Dazed Magazine
2023
How aliens are fuelling a new era of disinformation
Dazed Magazine
2023
We’re entering an age of ‘psyop realism’
Dazed Magazine
2023
How E-girl influencers are trying to get Gen Z into the military
Dazed Magazine
2023
Are you content? How the internet rewired our brains
Dazed Magazine
2022
When Medieval Mysticism Conquers the Dance Floor
Resident Advisor
2022
Cultural Codes, introductory essay
Ars Electronica
2026
Candela Capitan
Cura
2025
The Internet Enters Its Age of Aquarius
Spike Magazine
2025
Digital Dada or Futurist slop?
Plaster Magazine
2025
Hito Steyerl: “Who Prompted All This Shit?”
Spike Magazine
2025
Techno-feudalism
032C
2025
How Art Went Quantum
Art Review
2025
Is basic fashion the trend set to define 2025?
Dazed Magazine
2025
The freaky rise of AI horrorcore
Dazed Magazine
2024
Where Does The Puppet End and The Human Begin?
032C
2024
(un)real data ☁️ – (🧊)real effects
Aksioma (via Metalabel)
2024
Digital Diaries
Julia Stoschek
2024
Cryptid essay in response to Joey Holder artwork
LAS Art Foundation
2024
Why does nothing feel real anymore?
Dazed Magazine
2024
Reality shifting: why zoomers are choosing to tap out of material reality
Dazed Magazine
2024
How cute became the defining aesthetic of the internet age
Dazed Magazine
2024
Through the Shadowland
Zora Zine
2023
Blessed and emoji-pilled: why language online is so absurd
Dazed Magazine
2023
Rage against the machine: how incel culture went mainstream
Dazed Magazine
2023
How aliens are fuelling a new era of disinformation
Dazed Magazine
2023
We’re entering an age of ‘psyop realism’
Dazed Magazine
2023
How E-girl influencers are trying to get Gen Z into the military
Dazed Magazine
2023
Are you content? How the internet rewired our brains
Dazed Magazine
2022
When Medieval Mysticism Conquers the Dance Floor
Resident Advisor
2022